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International Conference on Film, History, and Collective Memory (ICFHCM-27)

18th - 19th January 2027 Antwerp, Belgium
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Join researchers, academicians, professionals, and industry experts to exchange ideas, strengthen academic collaboration, and explore research-driven practices across diverse disciplines.

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Participate in structured academic sessions, expert discussions, and professional knowledge-sharing opportunities.

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Attend keynote, plenary and technical sessions across relevant academic tracks.

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Conference Programme and Participation Policy:

The Organiser may integrate aligned research topics, academic fields, and relevant SDGs into interdisciplinary or multidisciplinary sessions to facilitate meaningful discussion, cross-sector perspectives, and future research cooperation.

Refund, Cancellation, Postponement, Travel and Transfer of Registration:
Refund Policy:

If the registrant is unable to attend and is not in a position to transfer his/her participation to another person or event, then the following refund arrangements apply: Keeping given advance payments towards Venue, Printing, Shipping, Hotels, and other overheads, we had to keep the Refund Policy as the following slabs:

1. Cancellations made before 60 days of the conference are eligible for a full refund, subject to a $100 cancellation charge.
2. Cancellations made within 60-30 days of the conference are eligible for a 50% payment refund.
3. Cancellations made within 30 days of the conference are not eligible for a refund.
4. Virtual Participation registrations are non-refundable.

(a) The above refund policies are applicable only if the registrant has not received the official invitation letter for participation in the event, If the client receives the conference invitation letter but cannot attend the conference, no refund will be provided.

(b) If the client cannot attend the conference for any personal reasons, the registration fee is not refundable. However, the fee will be considered as a credit to participate in any of our international conferences within one year from the date of registration.

(c) In the event of a visa denial, travel reasons, or natural calamities preventing attendance, the registration fee will not be refunded. However, the fee will be considered as a credit to participate in any of our international conferences within one year from the date of registration.

(d) Since this conference is hybrid, the organizer reserves the right to conduct it in any format, physical or virtual. Refunds will not be provided for format changes.

(e) For participants who register close to the conference date or after the standard registration deadline, The registration will be considered for virtual participation only, as the conference is in hybrid mode. However, you will be eligible to attend one more international conference based on your registration category.

Cancellation Policy:

If the organizer cancels this event for any reason, you will receive a credit for 100% of the registration fee paid. You may use this credit for another event which must occur within one year from the date of cancellation.

Postponement of Event:

If the organizer postpones an event for any reason and you are unable or unwilling to attend on rescheduled dates, you will receive a credit for 100% of the registration fee paid. You may use this credit for another event which must occur within one year from the date of postponement.

Travel and Accommodation Responsibilities:

a) The responsibility for making and managing travel arrangements, including flights, transportation, and accommodation, lies solely with the individual participant.

b) In the event of any changes to the conference format, cancellation, or venue adjustments, the organizers cannot assume responsibility for any costs incurred by participants for travel or accommodation.

Transfer of registration:

All fully paid registrations are transferable to other persons from the same organization if the registered person is unable to attend the event. Transfers must be made by the registered person in writing to [email protected]. Details must include the full name of the replacement person, their title, contact phone number, and email address. All other registration details will be assigned to the new person unless otherwise specified. Registration can be transferred from one conference to another conference of the same organizer if the registrant is unable to attend one of the conferences

However, Registration cannot be transferred if it is intimated within 14 days of the respective conference. The transferred registrations will not be eligible for Refund.

Visa Information:

The organizer will not directly contact embassies and consulates on behalf of visa applicants. All delegates or invitees should take responsibility for their visa and travel arrangements. Important note for failed visa applications: Visa issues cannot come under the consideration of the cancellation policy of the organizer, including the inability to obtain a visa.

N.B:

All cancellations or modifications of registration must be made in writing to [email protected]

I agree and accept the Terms and Conditions of the website www.after.org.in

Conference Session Tracks

Aligned with United Nations Sustainable Development Goals

Our conference tracks support global knowledge exchange, innovation, and sustainable development priorities across diverse disciplines.

SDG 3 SDG 4 SDG 9 SDG 11 SDG 16
01 Revisiting Film History: Methodologies and Approaches
This track explores innovative methodologies in film history research, emphasizing interdisciplinary approaches that integrate historical analysis with contemporary film studies. Participants are encouraged to present case studies that highlight the evolution of cinematic narratives and their societal implications.
02 Collective Memory and the Cinematic Experience
Focusing on the interplay between collective memory and film, this track invites discussions on how cinema shapes and reflects shared cultural narratives. Papers may analyze specific films or genres that contribute to the construction of collective identities and historical consciousness.
03 Documentary as a Tool for Historical Representation
This session examines the role of documentary films in representing historical events and figures, emphasizing their impact on public memory. Contributions should address the ethical considerations and narrative strategies employed in documentary filmmaking.
04 Cultural Memory in Visual Media
This track investigates the concept of cultural memory as it manifests in various visual media, including film, television, and digital platforms. Presentations should explore how visual narratives contribute to the preservation and transformation of cultural heritage.
05 Narrative Structures in Historical Cinema
This session focuses on the narrative techniques employed in historical films, analyzing how these structures shape audience perceptions of the past. Papers may explore the tension between factual accuracy and artistic interpretation in historical storytelling.
06 Film Theory and Historical Contexts
This track invites discussions on the intersections of film theory and historical contexts, examining how theoretical frameworks can enhance our understanding of historical films. Participants are encouraged to engage with both classical and contemporary film theories in their analyses.
07 Archival Research in Film Studies
Focusing on the significance of archival research, this session highlights the importance of primary sources in film studies and historical analysis. Presenters should discuss their findings from archival investigations and the implications for understanding film history.
08 Memory Studies and the Impact of Cinema
This track explores the relationship between memory studies and cinema, investigating how films influence individual and collective memories. Papers should consider the psychological and sociocultural effects of cinematic representations on audiences.
09 Societal Impact of Historical Films
This session examines the societal impact of films that engage with historical themes, analyzing how they shape public discourse and cultural perceptions. Contributions should address the role of film in fostering historical awareness and critical reflection.
10 Visual Culture and Historical Narratives
This track investigates the role of visual culture in constructing historical narratives, focusing on the interplay between film and other visual media. Participants are encouraged to explore how visual representations inform and challenge historical understandings.
11 Interdisciplinary Approaches to Film and Memory
This session promotes interdisciplinary dialogue among scholars from various fields, including history, cultural studies, and media studies, to explore the intersections of film and memory. Presentations should highlight collaborative research efforts that enrich our understanding of cinematic representations of the past.