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International Conference on Digital Humanities and Sound Studies (ICDHSS-26)

2nd - 3rd December 2026 Abu Dhabi, UAE
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Join researchers, academicians, professionals, and industry experts to exchange ideas, strengthen academic collaboration, and explore research-driven practices across diverse disciplines.

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Participate in structured academic sessions, expert discussions, and professional knowledge-sharing opportunities.

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Access to Conference Sessions

Attend keynote, plenary and technical sessions across relevant academic tracks.

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4 Terms & Condition
Refund, Cancellation, Postponement, Travel and Transfer of Registration:
Refund Policy:

If the registrant is unable to attend and is not in a position to transfer his/her participation to another person or event, then the following refund arrangements apply: Keeping given advance payments towards Venue, Printing, Shipping, Hotels, and other overheads, we had to keep the Refund Policy as the following slabs:

1. Cancellations made before 60 days of the conference are eligible for a full refund, subject to a $100 cancellation charge.
2. Cancellations made within 60-30 days of the conference are eligible for a 50% payment refund.
3. Cancellations made within 30 days of the conference are not eligible for a refund.
4. Virtual Participation registrations are non-refundable.

(a) The above refund policies are applicable only if the registrant has not received the official invitation letter for participation in the event, If the client receives the conference invitation letter but cannot attend the conference, no refund will be provided.

(b) If the client cannot attend the conference for any personal reasons, the registration fee is not refundable. However, the fee will be considered as a credit to participate in any of our international conferences within one year from the date of registration.

(c) In the event of a visa denial, travel reasons, or natural calamities preventing attendance, the registration fee will not be refunded. However, the fee will be considered as a credit to participate in any of our international conferences within one year from the date of registration.

(d) Since this conference is hybrid, the organizer reserves the right to conduct it in any format, physical or virtual. Refunds will not be provided for format changes.

(e) For participants who register close to the conference date or after the standard registration deadline, The registration will be considered for virtual participation only, as the conference is in hybrid mode. However, you will be eligible to attend one more international conference based on your registration category.

Cancellation Policy:

If the organizer cancels this event for any reason, you will receive a credit for 100% of the registration fee paid. You may use this credit for another event which must occur within one year from the date of cancellation.

Postponement of Event:

If the organizer postpones an event for any reason and you are unable or unwilling to attend on rescheduled dates, you will receive a credit for 100% of the registration fee paid. You may use this credit for another event which must occur within one year from the date of postponement.

Travel and Accommodation Responsibilities:

a) The responsibility for making and managing travel arrangements, including flights, transportation, and accommodation, lies solely with the individual participant.

b) In the event of any changes to the conference format, cancellation, or venue adjustments, the organizers cannot assume responsibility for any costs incurred by participants for travel or accommodation.

Transfer of registration:

All fully paid registrations are transferable to other persons from the same organization if the registered person is unable to attend the event. Transfers must be made by the registered person in writing to event@after.org.in. Details must include the full name of the replacement person, their title, contact phone number, and email address. All other registration details will be assigned to the new person unless otherwise specified. Registration can be transferred from one conference to another conference of the same organizer if the registrant is unable to attend one of the conferences

However, Registration cannot be transferred if it is intimated within 14 days of the respective conference. The transferred registrations will not be eligible for Refund.

Visa Information:

The organizer will not directly contact embassies and consulates on behalf of visa applicants. All delegates or invitees should take responsibility for their visa and travel arrangements. Important note for failed visa applications: Visa issues cannot come under the consideration of the cancellation policy of the organizer, including the inability to obtain a visa.

N.B:

All cancellations or modifications of registration must be made in writing to event@after.org.in

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Conference Session Tracks

Aligned with United Nations Sustainable Development Goals

Our conference tracks support global knowledge exchange, innovation, and sustainable development priorities across diverse disciplines.

SDG 4 SDG 9 SDG 10 SDG 11 SDG 12 SDG 16 SDG 17
01 Digital Archives and Music Heritage
This track explores the role of digital archives in preserving and promoting music heritage. It invites discussions on innovative methods for curating and accessing historical sound recordings.
02 Sonic Data and Cultural Analytics
Focusing on the intersection of sonic data and cultural analytics, this track examines how data-driven approaches can enhance our understanding of music and sound within cultural contexts. Contributions may include case studies and theoretical frameworks that highlight the implications of sound data analysis.
03 Interdisciplinary Approaches to Sound Studies
This session encourages interdisciplinary research that bridges sound studies with other fields within the humanities and social sciences. Participants are invited to present collaborative projects that highlight the multifaceted nature of sound in cultural expressions.
04 Innovations in Sound Technology
This track showcases cutting-edge technologies that are transforming the landscape of sound studies and music production. Papers may address advancements in audio digitization, sound mapping, and interactive technologies.
05 Cultural Heritage and Sound Documentation
Exploring the significance of sound documentation in preserving cultural heritage, this track invites contributions that discuss methodologies and ethical considerations in documenting musical traditions. Case studies that illustrate successful documentation projects are particularly welcome.
06 Music Informatics and Computational Humanities
This session focuses on the application of informatics and computational methods to the study of music. Researchers are encouraged to share their findings on how computational tools can facilitate new insights into musical patterns and trends.
07 Digital Curation of Sound Artifacts
This track addresses the challenges and best practices in the digital curation of sound artifacts. Participants will discuss strategies for ensuring accessibility and sustainability of sound collections in digital environments.
08 Sound Mapping and Spatial Analysis
Focusing on the spatial dimensions of sound, this session invites papers that explore sound mapping techniques and their implications for understanding cultural landscapes. Contributions may include theoretical discussions as well as practical applications in various contexts.
09 Multimodal Studies in Music and Sound
This track emphasizes the importance of multimodal approaches in the study of music and sound. Participants are encouraged to explore how integrating various media can enrich our understanding of auditory experiences.
10 Media Humanities and Sonic Narratives
This session investigates the role of sound in media humanities, focusing on how sonic narratives shape cultural discourse. Papers may analyze the interplay between sound and visual media in contemporary contexts.
11 Interactive Technologies in Sound Studies
This track explores the impact of interactive technologies on sound studies and music engagement. Researchers are invited to present innovative projects that utilize interactive platforms to enhance audience participation and experience.